Taxi Driver Film Analysis - 717 Words

Taxi Driver: The Filth of the Streets and of Self The opening shot is Robert DeNiro’s character, Travis Bickle’s eyes in the review mirror intensely gazing at the city. It then transitions to the view outside of the taxi to the colorful, hectic streets of New York City. This exaggerates the importance of the taxi itself and the main character’s point of view from within it. Bickle is a veteran Marine who can’t sleep and decides to take the job of driving the long hours. He narrates the film as well using dialogue from the journal that he keeps. Through the imagery and symbolism of the taxi itself, the musical backdrop, and the artistic editing, Martin Scorcese’s American psychological thriller captures the filth and futility and filth of†¦show more content†¦It gets quiet then and he attempts to kill himself but he has no more bullets to do so. He wants to die but cannot, so he sits and waits for his fate as Iris continues screaming. He is found be the media to be a hero, the parents of Ir is (who was not from a compound) were grateful. It poses many philosophical questions as to whether our actions or desires define who we are. He had planned on killing the senator, yet ended up in nearly happenstance, aShow MoreRelatedThe â€Å"Taxi Driver† Starring Robert Di Niro, Directed By1145 Words   |  5 PagesThe â€Å"Taxi Driver† starring Robert Di Niro, directed by Martin Scorsese, remains to be a classic film that continues to be recognized as a cinematographic masterpiece. This psychological thriller released in 1976, highlights Travis Binkle’s life as a taxi driver in New York City. Scorsese brilliantly captures his struggle with his own thoughts and effort to reintegrate into society as an ex-US. Marine. However, Travis is known to be a complex character that is somewhat misunderstood by others becauseRead MoreMedia Violence And The Effect It Has On Actual Behavior1500 Words   |  6 PagesBehaviour. While many argue that film violence has little or no influence on actual behaviour, this essay will argue that media violence has a direct influence on actual behaviour in adolescence and adults. The main ideas I will put forward are. How Media Violence Increases Children’s tolerance of Real-Life Aggression, Violence Exposure in real-life, Violent Film Characters and their portrayal of violent acts, the effects of violence in emerging adults, film violence and subsequent aggressive tendenciesRead MoreEssay on Music in Scorsese films2910 Words   |  12 Pagesï » ¿2) For Martin Scorsese, popular music in films ‘doesn’t have to serve simply as mood music or be an unimaginative device for establishing a time period.’ (Romney Wootton, 1995: 1)Taking this as a starting point, discuss the use of popular music in either one or two films or the work of one film director. I will be looking at the films of Martin Scorsese regarding his statement that popular music in films ‘doesn’t have to serve simply as mood music or be an unimaginative device for establishingRead MoreAnalysis Of `` I Love Beijing ``1075 Words   |  5 Pagesarrangement, it would be very confusing to distinguish space from freedom. For this journal entry, I will base an analysis of space on the film, â€Å"I love Beijing† with references from the article, â€Å"Money, space, and Time†, by Harvey. â€Å"I love Beijing† is a remarkable film about city space and in my humble opinion, human responses to it. The main character, a young man in his late twenties, drives a taxi for a living. Apparently, his occupation or lack of presence has caused his wife to file for divorce. AsRead MoreScorsese1744 Words   |  7 Pagesother should have produced it from the 1970s onwards. Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors. In having their films examined as auteurs of the cinema, both Howard Hawks and Martin Scorsese have been described as great artists whose body of work demonstrates repeated themes and motifs, that put in context reveals a particular belief and world view that is held byRead More Auteur Theory: Howard Hawks and Martin Scorsese Essay examples1722 Words   |  7 Pagesother should have produced it from the 1970s onwards. Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors. In having their films examined as auteurs of the cinema, both Howard Hawks and Martin Scorsese have been described as great artists whose body of work demonstrates repeated themes and motifs, that put in context reveals a particular belief and world view that is held byRead MoreMe and You and Memento and Fargo by J.J. Murphy1640 Words   |  7 Pagesnarrative is vital, whether it be in films, books, theatre, etc. It is a frame for a story to work within. While there is a traditional method and formula to structuring a film narrative, filmmakers all over the world have experimented with breaking the norm and trying new ways to structure a film. It tested the viewer’s notion of what structure is and how a narrative can be told. It was also new and something that audiences were not used to. Even now, a film that moves too far away from theRead MoreThe Battle Of Algiers ( A Reenactment Of Algeria s Fight For Independence1328 Words   |  6 PagesAn imperative aspect of art is that it is open to interpretation and analysis. If the piece of art is significant, it will be thought or emotion provoking and uncensored. It is not the role of art take cautious steps in an attempt to leave its audience unoffended, but rather to embrace diversity of thought and creativity to portray untainted ideas. Filmmaking—being a form of art—follows the same guidelines and thus shapes society through its objectionable and often jarring subject matter. The BattleRead MoreThe One Percent Research Paper1791 Words   |  8 Pagesto watch the film. I soon came to realize I was enamored by this film, â€Å"The One Percent,† and it remains one of my favorite documentaries of all time. The documentary deals with the disparity between the wealthy elite and the citizenry and how they are both so far removed from one another. â€Å"As of 2010, the top 1% of households (the upper class) owned 35.4% of all privately held wealth.† (Domhoff, 2010, The Wealth Distribution, para. 1). The producer and interviewer presents this film through manyRead More Identifying Heroes: The Godfather and Pulp Fiction Essay3269 Words   |  14 Pages Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is, first and foremost, invisible. In a Classical Hollywood film, the narrative is foremost, and style serves the narrative. Camera angles, lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative, with one event causing the next. This narrative is arranged